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After being acquired by BandLab in 2018, the former Sonar, which previously belonged to Gibson, was replaced by "Cakewalk by BandLab", the new name for Sonar. And the good news: it was released for free!
In 2025, Cakewalk by BandLab gives way to its successor, which takes back its original name: Cakewalk Sonar. This new Sonar now comes in two versions: a paid subscription-based edition and a free edition with only a few non-essential features removed. However, these limitations may be frustrating enough for advanced users to push them toward choosing the paid subscription… or exploring other options.
Sonar remains my favorite DAW, although I also enjoy using Studio One, Cubase, and Reaper. But old habits die hard, and Sonar is still the one I use most willingly.
Reaper is interesting for several reasons: first, because it is very comprehensive and allows you to work just as effectively as with other leading DAWs on the market; second, because it has one of the most efficient input/output routing systems, its interface is fully customizable, it is updated very regularly, and above all, it is cheaper than its competitors: 60 dollars (about 45 euros), with no limitations. However, note that while Reaper does come with some plugins, it offers far fewer than what you get with the most complete versions of its competitors. Therefore, it’s more accurate to compare Reaper to the basic editions of other DAWs — usually priced around a hundred euros — rather than to the full-featured versions, which often approach 400 euros or more. Reaper remains a very compelling choice.
Of course, Reaper isn’t perfect, but it can do pretty much everything. After that, it’s a matter of habit. I’m used to Sonar, I like this DAW, and I don’t particularly want to switch and relearn on another one everything I already know how to do. That said, I’ve had the opportunity to try Reaper, and it’s clear that if I were starting out in computer-based music production today, I would start with Reaper. Inexpensive and highly capable... why hesitate? Moreover, it is available for Windows, Wine, and Mac OS X, and it’s compatible with VST, VSTi, DX, DXi, and AU plugins.
Reaper can be downloaded and used entirely for free, with no time limits. However, it is still a paid software, and it is your moral duty to purchase a license if you use it regularly. Its price-to-performance ratio is unbeatable, and for a regular user, the expense is completely justified.
Cubase is a digital audio workstation (DAW) developed by Steinberg, designed for recording, arranging, and editing music. The latest version is Cubase 14. Among its features are: a virtual drum instrument, a vocal editor with real-time pitch correction, VST expression tools for easily editing instrument articulations, improved data handling and automation, and a convolution reverb plugin.
Studio One is a digital audio workstation (DAW) developed by PreSonus, a brand that also designs audio interfaces, preamps, and mixing consoles. Although PreSonus is primarily known as a hardware manufacturer, their Studio One DAW is a solid alternative to sequencers from other brands. Studio One has its origins in the free Kristal sequencer, which has since been discontinued.
Studio One offers excellent ergonomics and also includes Melodyne, a plugin that allows easy audio correction (pitch shifting or time-stretching). However, it does not include a score editor and comes with relatively few virtual instruments.
Studio One is available in several editions with varying feature sets, and there is even a free version with no time limit. The downside is that this free version is not compatible with plugins (VST or others), which significantly reduces its usefulness. Nevertheless, it is a good opportunity to try the software without the usual limitations of demo versions.
Logic Pro is a 32/64 bit audio and midi D.A.W. for Mac OS X. it is part of Apple's profesional music software range. A light version, Logic Express with the same interface and the same audio engine but less options is also available at a lower price.
Pro Tools is widely used by professionals throughout the audio industries for recording and editing in music production, film scoring, film and television post production. Pro Tools has three types of systems; HD, LE, and M-powered. HD is the high-end package and is an integration of hardware and software. The hardware includes an external A/D converter and internal PCI or PCIe audio cards with onboard DSP. Fundamentally, Pro Tools, like all Digital Audio Workstation software, is similar to a multi-track tape recorder and mixer, with additional features that can only be performed in the digital domain. The high-end version supports sample rates of up to 192 kHz and bit depths of 16 and 24 bit, opens WAV, AIFF, mp3, SDII audio files and QuickTime video files. It features time code, tempo maps, automation and surround sound capabilities.
Ableton Live is a loop-based software music sequencer and DAW for Mac OS and Windows by Ableton. Live is a tool made for composing and arrangements, but its design and ergonomics are mostly live-oriented. The user interface was optimized for live performances. It is reduced to a minimum and is easily usable on a one-screen configuration. The absence of pop-up windows, its unique window divided into 5 categories makes it easy to use on laptop computers that may not be as powerful as their desktop counterparts. The different categories may be hidden or displayed with a simple click on the corresponding icon. The layout is then reorganized depending on the active categories. For live performances, you can display the loop points or the starting point of one or more clips, and they will remain in tempo with one another ("warp" feature you can trigger on the fly).
Acid comes in 2 ranges: Pro and Music Studio. The pro range has more features. Acid Music Studio costs about 50 euros, and the pro version about 150 euros.
Available for Mac first and now for Windows, Digital Performer includes many high-quality effects and an excellent score editor. Virtual instruments on the other hand are not numerous. 30-day limited demo versions are available on the official website if you want to give it a try.
This software is the descendant of Fruity Loops, which was perfectly suited for Electro or Hip Hop music. Nowadays, FL Studio makes it possible to record any genre, but the way it works makes it still not really suited for acoustic musics. It is based on a concept of patterns added to a playlist.
It used to be dedicated to MIDI recordings, but Reason now handles audio. Still, for historical reasons, many Propellerhead Reason users still produce electronic music. Reason has a very powerful routing system, through the used of virtual cables, which could discourage some people.
Unlike Reason, Samplitude was long limitied to audio management, and could not handle MIDI data. It's no longer the case. Samplitude is based on the concept of audio objects, where each audio clip has its own routing and automation capabilities. Samplitude includes many effects plugins and virtual instruments, as well as sound banks. More technical than other DAWs, the full version is also pretty expensive.
Tracktion is available for PC, Mac and Ubuntu. It costs 60 dollars for the base version, and up to 200 dollars in bundle with other in-house software (plugins and virtual instruments). That makes it one of the least expensive DAWs on the market. Users like the ergonomy of the software, but there seems to be a number of annoying bugs (rendering problems, unexpected crashes...), that will hopefully be fixed at some point.
EnergyXT has been created by Jorgen Aase. EnergyXT is compatible with the VST standard, the ASIO protocol and the REX2 format from Propellerhead Software. This DAW is compatible with 16, 24 or 32 bit files, mono or stereo. The user interface is organized around a menu bar, a tool bar, tabs, a navigation window and a main window which, by default, shows the sequencer, but can also display the "Mixer" and "Modular" parts thanks to the customizable tabs. It's well suited for live performance and small configurations, with a low price of about 40 euros. It's rather simple to use but remains somewhat less powerful than more complete (and more expensive) DAWs.
The company Zynewave has been created by Frits Nielsen, a software engineer, who developed the DAW Podium on his own. As it's a one-man company, Podium may not be as rich and complete as other major DAWs such as Sonar, Cubase or Logic, but it offers many of the features you might expect from a DAW. As a result, you may encounter compatibility issues with some hardware and plugins. Podium supports recording and editing of audio and MIDI, and hosts VST instrument and effect plugins. It is available for Windows as a 32 or 64-bit software and costs 50 dollars.
You will be glad to know that a free version is available. it's adequately called Podium Free, and it has pretty much the same capabilities as the paid-for version, minus a few limitations. The most severe limitation is that the plugin multiprocessing is disabled, which means you might experience processor overloading if you use too many plugins within a project. Yet, it's worth trying, because this free version is way more powerful than other free DAWs like Kristal (obsolete in so many ways) and Audacity (really inferior to all other DAWs).
Let's be honest, these free DAWs are no match for the retail DAWs.
Kristal is no longer developed and updated, so it may even be incompatible with recent plugins. But it gave birth to Studio One, a retail DAW from PreSonus.
As for Audacity, it's more an audio editor than a real DAW, even though you can use it as such, with severe limitations.
You'd rather use a DAW such as Reaper, which costs only 45 euros and is way more complete and modern than those free software
It's much more interesting to start using Reaper, which costs only 45 euros and is much more complet and modern than theses free software, or even the free version of Studio One, even though it's incompatible with plugins. I should also mention Podium Free, a very interesting free version of Podium (presented above) which also supports VST plugins with a few limitations.
Those DAWs are way more complex (just a question of habit...) but they are the real thing and will train newcomers about the logic behind DAWs. If you get hooked, then you may choose whatever DAW suits you best.
As a conclusion, free DAWs will help you out occasionally, but don't expect to make serious audio work with them in the long term.
Messages page # 1 2 3 4 5 6 7 8 9 10 11 12 13 14 15 16 17 18 19 20 21 22 23 24 25 26 27 28 29 30 31 32 33 34 35
Dam40
le 26/08/2019 à 11h06
Bonjour,
Tout d'abord bravo pour ce site.
Je suis débutant et rencontre quelques soucis.
J'ai un PC Windows 10 (64 bits, 8 Go de RAM) avec carte son intégrée en 5.1, driver realteck, et quand je lance un programme de simu type Amplitube 4, il y a un son horrible qui sort, est-ce normal ? Y a-t-il un moyen d'y remédier ?
J'ai essayé également avec Bandlab comme séquenceur mais je ne sais pas comment intégrer le cab et le simulateur.
Merci d'avance
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Bonjour Dam40,
Le son horrible qui sort avec un logiciel de simulation n’est pas « normal », mais c’est peut-être dû au fait que vous utilisez la carte son intégrée de votre ordinateur. Ce type de carte n’est pas du tout adapté pour enregistrer et mixer de la musique.
Pour enregistrer de la guitare par exemple, il faut passer par la prise Jack de la guitare et les cartes son intégrées ne possèdent pas ce type de fiche. D’autre part, les drivers des cartes intégrées ne possèdent pas non plus l’impédance électrique compatible pour avoir un niveau de son correct en provenance de l’instrument, et d’autre part, même quand ça marche, elles induisent une latence, c’est-à-dire un délai entre le moment où l’on joue sur la guitare et le moment où le son est entendu sur l’ordinateur.
Pour remédier à ce problème, il faut acquérir une interface audio, un type de carte audio qui se présente sous la forme d’un boîtier externe connecté à l’ordinateur par la prise USB (le plus souvent, même s’il existe d’autres types de connexions). Ces interfaces sont fournies avec un driver spécifique qui permet de gérer le son grâce au protocole ASIO. Ce protocole est standard et permet d’obtenir de faibles latences pour pouvoir jouer de la guitare et entendre le son, avec ou sans effets, sans délai gênant.
Grebz
Blastrax
le 16/08/2019 à 04h18
Bonjour !
J'ai testé la quasi-totalité des simulateurs présents ici pour une raison : impossible d'ouvrir un fichier DLL !
Mon PC me demande d'associer l'ouverture des DLL à un logiciel mais je n'ai rien de spécial qui va avec...
J'ai eu ce souci, j'avais formaté mon PC vu que je ne l'avais pas fait depuis des années (1,65 To de données à re-télécharger)
Et là encore le même souci, je teste donc sur 6 PC différents et tous ont ce souci... Je suppose donc qu'il faut un logiciel spécial mais rien n'est mentionné, tu pourrais m'aider ? Merci d'avance !
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Bonjour Blastrax,
Tous les simulateurs d’ampli gratuits sous forme de fichiers DLL sont des « plugins », et non pas des logiciels autonomes.
Ces fichiers de plugins ne s’installent pas, il faut simplement les recopier dans un répertoire du disque dur. À noter aussi que les simulateurs d’ampli gratuits ne simulent que la tête d’un ampli. Pour avoir également une simulation du haut-parleur, un autre plugin qu’on appelle « chargeur d’impulsions », dans laquelle on charge des « réponses impulsionnelles », ou IR (impulse responses, en anglais). Les IR sont des petits fichiers audio qui reproduisent le son d’un vrai haut-parleur. On peut trouver des IR reproduisant le son des amplis Fender, Vox, Marshall, Orange, Mesa Boogie, etc. Il en existe des gratuites et des payantes.
Grebz
Claude
le 02/06/2019 à 18h49
Merci pour le tutoriel sur la création d'impulsion , j'ai capturé les signatures de mes cab Markbass traveler 121h 2x12 et le vieux combo Fender rockpro 1000 en 1x12 ,c'est tout à fait le son que je voulais. Je suis bluffé par la qualité, par rapport à ce que j'ai pu télécharger sur le web… !
Je n'ai plus besoin de me casser les oreilles à fort volume pour faire des prises.
jensouniev
le 01/05/2019 à 00h46
J'ai pratiquement aspiré toute la partie gratuite de ton site. Encore merci pour tout le travail fourni. Au fur et à mesure que je teste tout ce que tu propose, j'essayerais de faire quelques retours si cela ne te pose pas de problèmes.
Pour commencer, avec les 4 amplis de basse :
Sous Reaper (v5.961/x64), SBH-1 de IgniteAmps et Tumult de SimpleVST marchent à merveille. Très sympas les 2.
Par contre il y a un problème avec les 2 Hélian de Fretted Synth Audio : le volume de sortie se remet pratiquement à fond des que je relance la lecture depuis le début du morceau ou à chaque début de lecture d'une boucle. Je ne peux donc pas bosser avec.
jensouniev
le 30/04/2019 à 21h23
Déjà un immense merci pour ce site somptueux, bien rangé, convivial... Pour la démarche de partage.
A propos de STUDIO DEVIL
"disponible sur le site officiel...mais il faut s'inscrire pour pouvoir le télécharger"
Il semblerait que non, enfin pas pour moi en tous cas. A voire. Info intéressante : apparemment, il peut fonctionner en stand-alone.
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Merci de votre visite !
D'accord, merci pour le tuyau pour Studio Devil. J'ai écrit ça il y a plusieurs années déjà et j'avoue que ça fait longtemps que je n'ai pas utilisé de plugins Studio Devil. Aujourd'hui, je trouve que les meilleurs simulateurs d'ampli sont à chercher du côté de Neural DSP (leur petit dernier, Archetype Plini, est une merveille), ou de Positive Grid (Bias Amp 2 est excellent). Bonne continuation musicale !
Grebz