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Can you reproduce the sound of an Orange PPC412, a Fender Deluxe Reverb, a Marshall 1960A, a Mesa Rectifier, a Vox AC30, a Roland Micro Cube, an Orange Micro Crush...? Yes you can!

Orange PPC412     Fender Deluxe Reverb     Marshall 1960A     Mesa Rectifier 4x12     Vox AC-30    Roland Micro Cube    Orange Micro Crush


Orange PPC412

Fender Deluxe Reverb

Marshall 1960A

Mesa Rectifier

Vox AC30

Roland Micro Cube

Orange Micro Crush

For each sample:

* 1 rhythm guitar to the left
Amplifier simulator Aradaz Crunch
Cabinet simulator LeCab, with the following impulses:
1 cab 80% left (microphone Royer R-121), 1 cab 60% left (Shure SM57)

* 1 rhythm guitar on the right
Amplifier simulator Aradaz Crunch
Cabinet simulator LeCab, with the following impulses:
1 cab 80% right (Royer R-121), 1 cab 60% right (Shure SM57)

* 1 solo guitar in the middle
Amplifier simulator LePou LE456
Cabinet simulator LeCab, with the following impulses:
1 cab 10% left (Royer R-121), 1 cab 10% right (Shure SM57)

This configuration is always the same, only the cabinet changes
(Orange, Fender, Marshall, Mesa, Vox, Roland)
For Roland Micro Cube and Orange Micro Crush, I used impulses that I created, (downloadable here), with a combination of a Shure SM57 dynamic microphone and a Rode NT5 static microphone.

For all other samples, I used impulses from the Redwirez retail collection.

As you can hear, even when always using the same amp head, the final sound will change a lot depending on the cabinet and the mike used, which is completely logical. You must find the right combination between the head and the cabinet. You can even use the head only if you wish. All of this is virtual, you may do things the way you like them!
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On the Internet, you can find impulses made by people and freely distributed. Unfortunately, their quality goes from excellent to very poor. The only way to know is to try them. I gathered some impulses from various cabinet brands: Mesa, Fender, Marshall, Vox, Orange, Soldano, London City... That's already a very good start. The microphones used to make these impulses are classics from Sennheiser, Shure, Rode, AKG, Neumann...
For free, you will have something to make some good mixing.
Download: Cabinet simulator impulses
(267 impulses -, 6.84 MB)
I add two zip files containing a total of about 950 more impulses. It's a wide collection, but the file naming is somewhat messy. Some names are crystal clear, some others... you'll have to guess...
Download: Cabinet simulator impulses
(about 350 impulses -, 18.1 MB)

Download: Cabinet simulator impulses
(about 600 impulsions -, 17.2 MB)
On this page, you can download impulses that I created with my own amps. Audio samples will give you an idea of the type of sounds you can expect.
These impulses are audio files to use in impulse loaders such as LeCab 2 or MixIR 2, in order to assemble a virtual cabinet simulator.

You can download free impulse loaders from this page.

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You can also buy professional, high-quality impulse packages. They sound really good, because the designers of these impulses have access to a lot of hardware and can provide us with a wide range of impulses. With each cabinet, several microphones are used, and each microphone is placed at different places before (or even behind) the cabinets, so you get nuances that will enrich the sound. Users can then combine several impulses for each guitar or bass take in order to get THE sound they're looking for.

REDWIREZ (web site)

This company offers the best cabinet impulses I ever tried. In the "Big Box Series" collection, Redwire offers 31 cabinets (some in several versions):

    - "Modern Classics" series: Bogner 2x12, Bogner Uberkab, ENGL Pro 4x12, Halfback (Bottom, Top Closed, Top Open), Krank Krankenstein, Krank Revolution, Marshall 1960, Matchless ES212, Mesa Rectifier 4x12, Orange PPC412, Peavey 5150 4x12, Roland JC-120, Soldano 412B

    - "Vintage Classics" series: '68 Marshall Basketweave, '75 Hiwatt SE4123, Fender Deluxe Reverb, Fender Dual Showman, Fender Twin, Marshall 1960 4x12, Mesa Mark II, Supro Thunderbolt S6420, Tweed Bassman, Tweed Deluxe, Vox AC30

    - For bass guitars: Ampeg B15, Ampeg SVT 810, Aquilar DB115, Hartke 4.5XL

They also offer impulses coming not from cabinets but from specific speakers placed in generic boxes:

    - Celestion Blue 12, Celestion G12H30 12, EVM12L 200w 12, Weber Blue 12

Microphones for guitar amplifiers: AKG C414B-ULS, Audix i5, Beyerdynamic M160, Coles 4038, Neumann U47, Neumann KM84, Neumann M8/CMV563, Neumann M7/CMV563, Neumann U87, Royer R121, Sennheiser MD421N, Sennheiser MD441, Sennheiser MD409, Shure SM7, Shure SM57, TAB-Funkenwerk SM57, Electrovoice RE20, Earthworks TC30/M50, Lawson L47, Blue Bottle/B4 (Room only), Blue Bottle/M7

Microphones for bass amplifiers: AKG D12, AKG D112, Audix D6, Beyerdynamic M380N, Coles 4038, Earthworks TC30, Electrovoice RE20, Heil PR40, Neumann U47FET, Royer R121, Sennheiser e602, Sennheiser MD421, Shure Beta52, Shure SM7, Shure SM57

Each cabinet offers a minimum of 550 impulses. The whole collection costs 121 dollars (about 90 euros), which is OK considering the number of impulses and the amount of work put into it. And good idea: you can buy each cabinet impulse collection separately. You get the first cabinet collection for 10 dollars (about 7 euros) and the next cabinets will grant you volume discounts.

RECABINET (web site)

I bought their Recabinet 2 collection which contains the following cab impulses:

    - "Modern 1" Series : Line 6 Vetta 4×12, Marshall 1936 2×12, Genz Benz G-Flex ported 2×12, Mesa Standard Oversize 4×12, Krank Krankenstein 4×12, Carvin 4×12 British Series, Ampeg SVT 8×10 Bass Cabinet (for bass), Marshall Hand Wired 4×12, Roland Micro Cube

    - "Modern 2 Series" : Marshall 1960AV 4x12, Randall RS4 12XLT 100 4x12, Mesa Engineering Standard 4x12, Orange PPC412-C

    - "Vintage" Series : Fender 1965 Super Reverb 4x10, 1970s Marshall 4x12 with Celestion Greenback Speakers, 1960s Ampeg Portaflex B15N (for bass), Vox AC30, 1953 Fender Deluxe 1x12, Selmer Zodiac Twin 30

Microphones used: Shure SM57, Shure Unidyne III 545, Royer 121, Sennheiser MD409, Sennheiser MD421, Audix i5, Audix D6, Neumann U87, DBX RTA, Audio Technica 4060

In total, there are 1959 impulses. A large choice that is difficult to sort out at first, but I gradually spotted combinations of impulses I find quite satisfying to my taste. I chose this collection because user reviews were enthusiastic and it is very affordable: 15 dollars for the whole collection. At this price, I did not hesitate for long: spend 15 dollars for quality impulses or spend hours to find good, free impulses without any guarantee to find something useful, it was an easy choice...

Since then, they released Recabinet 3 (winter sales at 20 dollars in January 2013). New impulses and a new, more convenient interface. I said I wouldn't buy it but finally gave it a try thanks to a discount price... and I'm a bit disappointed. Recabinet 3 is not bad at all, the interface is pretty nice and it works smoothly. But I find the interface not as complete as the free Poulin's LeCab2, and more importantly, the impulses are integrated within the interface, so they cannot be used separately with an alternate impulse loader, and also I still prefer thesound of the Redwirez impulses. I think they are better defined, clearer and more accurate. So I would recommend Redwirez, but that's a very personal choice! Nevertheless, Recabinet 3 is a good product... but it isn't the best.

Interface de Recabinet 3
Recabinet 3 interface


I have compared the sound of a few impulses from the 3 commercial impulse libraries that I own. Of course, I chose impulses that are as close to one another as possible.

For the left rhythm guitar, I used two impulses taken from a Vox AC30 2x12 cabinet: one impulse from the microphone Royer 121, position Cap Edge, about 10 cm (4 inches) from the speaker, and one impulse from the microphone Shure SM57, position Cap Grill (centered, against the cab grill).

For the right rhythm guitar, I used two impulses taken from a Fender Deluxe (Deluxe Reverb for Redwire, Deluxe 1953 for Recabinet 2 et 3) 1x12 cabinet: one impulse from the microphone Royer 121, position Cap Edge, about 10 cm (4 inches) from the speaker, and one impulse from the microphone Sennheiser MD421, position Cap Grill (centered, against the cab grill).

For the centered solo guitar, I used two impulses taken from a 4x12 Orange cabinet: one impulse from the microphone Royer 121, position Cap Edge, about 10 cm (4 inches) from the speaker, and one impulse from the microphone Neumann U87, position Cap Grill (centered, against the cab grill).

The obtained sound is rather different from one impulse library to the other, although it was made with similar cabinets and the same microphones. This shows how difficult it is to make perfectly reliable impulses, and it also shows how the recording conditions will affect the result. I can't tell which library sounds the most realistic, as it will be a matter of personal preference. And you can always EQ the sounds to make them sound the way you want.


Recabinet 2

Recabinet 3
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Page de messages n° 1 2 3 4 5 6 7 8 9 10 11 12 13 14 15 16 17 18 19 20 21 22 23 24 25 26 27 28 29 30 31

le 18/01/2020 à 18h08

Whatever happened to the Cranked AC plugin? I've been looking all over for it but can't find it anywhere.

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Sorry, I never heard of this plugin. If it's an old plugin, chances are it's also a 32-bit plugin, which may not work properly on modern systems, but anyway I couldn't find it either.

le 12/01/2020 à 23h06

So the chain goes:

DAW > Audio Interface Out > Amp > Speaker > Mic > DAW

This is correct based on my understanding from what I've read, and the few videos I've watch on creating IRs. My question, then, is when I plug into the Amp I've seen people say plug your Interface out into the FX return, but you say the guitar cable jack. What is the purpose in doing one or the other?

Side questions:

What channel should my amp be on? I'm assuming the clean channel.

What should my Amp settings be (EQ, Gain, Channel Volume, Presence, Master Volume)? I can't find a clear answer anywhere.

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About plugging into the FX return or the guitar jack, I don’t know. Actually, the amps I’ve used myself to make IRs don’t have any FX return, so I didn’t have a choice and had to plug into the guitar jack. I guess there’s no harm trying both (not at the same time!) and comparing if you have that possibility. Chances are there’s not much of a difference, but again, I may be wrong as I have not tried this myself.
About the choice of a channel, and the settings: the channel doesn’t actually matter. You’re not capturing the amp sound, but the speaker sound.
From what I’ve experienced, the EQ and Presence should be neutral, the gain/saturation should not be engaged (or set to a level where no distorsion can be heard). As for the volume, set it to a level that’s high enough for your microphone to be able to pick up a good signal (no need to record higher than -6 dB, by the way, give your signal a bit of headroom).
But you should also be careful not to set it too loud to protect your own ears. It doesn’t need to be pushed too high. I think a level high enough to cover your own conversational voice should be enough. I tried various volume levels, and it did not affect the results notably. I did not get better results with very high levels than with normal, humanely bearable levels. Don’t set it too low, though, because it’s better if your speaker does move some air.

Experiment, try different amp settings and see whether that changes the results.


le 20/10/2019 à 17h06

Hey, I downloaded the plug-in and extracted it. Then put it in the plugin folder but it is not working. C:|Program Files|Common Files|Avid|Audio|Plug-Ins. Would this be the right steps? Please let me know thanks!

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As you explained it to me by e-mail, you were using Pro Tools First, which doesn't support third party plugins. The solution is then to either upgrade to a paid version of Pro Tools, or use another free DAW, such as Cakewalk by Bandlab (Windows only), or use Reaper, which is not free, but can be used freely without constraints. These DAWs do support third party plugins.


le 26/08/2019 à 11h06

Tout d'abord bravo pour ce site.
Je suis débutant et rencontre quelques soucis.
J'ai un PC Windows 10 (64 bits, 8 Go de RAM) avec carte son intégrée en 5.1, driver realteck, et quand je lance un programme de simu type Amplitube 4, il y a un son horrible qui sort, est-ce normal ? Y a-t-il un moyen d'y remédier ?
J'ai essayé également avec Bandlab comme séquenceur mais je ne sais pas comment intégrer le cab et le simulateur.
Merci d'avance

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Bonjour Dam40,
Le son horrible qui sort avec un logiciel de simulation n’est pas « normal », mais c’est peut-être dû au fait que vous utilisez la carte son intégrée de votre ordinateur. Ce type de carte n’est pas du tout adapté pour enregistrer et mixer de la musique.
Pour enregistrer de la guitare par exemple, il faut passer par la prise Jack de la guitare et les cartes son intégrées ne possèdent pas ce type de fiche. D’autre part, les drivers des cartes intégrées ne possèdent pas non plus l’impédance électrique compatible pour avoir un niveau de son correct en provenance de l’instrument, et d’autre part, même quand ça marche, elles induisent une latence, c’est-à-dire un délai entre le moment où l’on joue sur la guitare et le moment où le son est entendu sur l’ordinateur.

Pour remédier à ce problème, il faut acquérir une interface audio, un type de carte audio qui se présente sous la forme d’un boîtier externe connecté à l’ordinateur par la prise USB (le plus souvent, même s’il existe d’autres types de connexions). Ces interfaces sont fournies avec un driver spécifique qui permet de gérer le son grâce au protocole ASIO. Ce protocole est standard et permet d’obtenir de faibles latences pour pouvoir jouer de la guitare et entendre le son, avec ou sans effets, sans délai gênant.


le 16/08/2019 à 04h18

Bonjour !

J'ai testé la quasi-totalité des simulateurs présents ici pour une raison : impossible d'ouvrir un fichier DLL !
Mon PC me demande d'associer l'ouverture des DLL à un logiciel mais je n'ai rien de spécial qui va avec...

J'ai eu ce souci, j'avais formaté mon PC vu que je ne l'avais pas fait depuis des années (1,65 To de données à re-télécharger)
Et là encore le même souci, je teste donc sur 6 PC différents et tous ont ce souci... Je suppose donc qu'il faut un logiciel spécial mais rien n'est mentionné, tu pourrais m'aider ? Merci d'avance !

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Bonjour Blastrax,
Tous les simulateurs d’ampli gratuits sous forme de fichiers DLL sont des « plugins », et non pas des logiciels autonomes.
Je l’explique ici.

Ces fichiers de plugins ne s’installent pas, il faut simplement les recopier dans un répertoire du disque dur. À noter aussi que les simulateurs d’ampli gratuits ne simulent que la tête d’un ampli. Pour avoir également une simulation du haut-parleur, un autre plugin qu’on appelle « chargeur d’impulsions », dans laquelle on charge des « réponses impulsionnelles », ou IR (impulse responses, en anglais). Les IR sont des petits fichiers audio qui reproduisent le son d’un vrai haut-parleur. On peut trouver des IR reproduisant le son des amplis Fender, Vox, Marshall, Orange, Mesa Boogie, etc. Il en existe des gratuites et des payantes.


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