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DIGITAL AUDIO WORKSTATIONS (official website)

Digital Audio Workstations (DAWs or sequencers) are at the heart of a Computer-Based Music setup. A DAW is nothing more than an advanced tape recorder. It is a multi-track recorder, allowing you to handle both audio and MIDI data from virtual instruments.

There are many sequencers, varying in price, features, and focus on audio and/or MIDI, and every user has their favorite sequencer, which they will defend passionately—sometimes objectively, often with bias. Ask 10 different musicians which sequencer they prefer, and you'll likely get 10 different answers. Unless you have the chance to try them all for comparison and selection, it's best to gather information, read opinions from other musicians online or elsewhere, and once you start with a sequencer, you usually stick with it for quite some time.

The best sequencer is actually the one you are accustomed to, the one you master, and the one that allows you to achieve the desired result.

Feel free to also check the "Best DAWs" section on Audiofanzine.

Cakewalk Sonar - Reaper - Cubase - Studio One - Logic Pro - ProTools - Live - Acid - Digital Performer - FL Studio - Reason - Samplitude - Tracktion - Podium

Free sequencers: Cakewalk Sonar - Kristal - Audacity

Note that since 2025, Cakewalk Sonar (successor of Cakewalk by BandLab) has a free version.

This list is not exhaustive, there are other sequencers, like Bitwig or Luna. It's up to you to find the one that suits you! Note that most paid sequencers come in several versions, more or less advanced, or bundled with more or fewer plugins, at prices suitable for everyone.

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CAKEWALK SONAR (official website)

After being acquired by BandLab in 2018, the former Sonar, which previously belonged to Gibson, was replaced by "Cakewalk by BandLab", the new name for Sonar. And the good news: it was released for free!

In 2025, Cakewalk by BandLab gives way to its successor, which takes back its original name: Cakewalk Sonar. This new Sonar now comes in two versions: a paid subscription-based edition and a free edition with only a few non-essential features removed. However, these limitations may be frustrating enough for advanced users to push them toward choosing the paid subscription… or exploring other options.

Sonar remains my favorite DAW, although I also enjoy using Studio One, Cubase, and Reaper. But old habits die hard, and Sonar is still the one I use most willingly.

Cakewalk Sonar

Cakewalk Sonar
Cakewalk Sonar

Cakewalk Sonar
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COCKOS REAPER (official website)

Cockos Reaper
Cockos Reaper

Reaper is interesting for several reasons: first, because it is very comprehensive and allows you to work just as effectively as with other leading DAWs on the market; second, because it has one of the most efficient input/output routing systems, its interface is fully customizable, it is updated very regularly, and above all, it is cheaper than its competitors: 60 dollars (about 45 euros), with no limitations. However, note that while Reaper does come with some plugins, it offers far fewer than what you get with the most complete versions of its competitors. Therefore, it’s more accurate to compare Reaper to the basic editions of other DAWs — usually priced around a hundred euros — rather than to the full-featured versions, which often approach 400 euros or more. Reaper remains a very compelling choice.

Of course, Reaper isn’t perfect, but it can do pretty much everything. After that, it’s a matter of habit. I’m used to Sonar, I like this DAW, and I don’t particularly want to switch and relearn on another one everything I already know how to do. That said, I’ve had the opportunity to try Reaper, and it’s clear that if I were starting out in computer-based music production today, I would start with Reaper. Inexpensive and highly capable... why hesitate? Moreover, it is available for Windows, Wine, and Mac OS X, and it’s compatible with VST, VSTi, DX, DXi, and AU plugins.

Reaper can be downloaded and used entirely for free, with no time limits. However, it is still a paid software, and it is your moral duty to purchase a license if you use it regularly. Its price-to-performance ratio is unbeatable, and for a regular user, the expense is completely justified.

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STEINBERG CUBASE (official website)

Steinberg Cubase 7
Steinberg Cubase 7

Cubase is a digital audio workstation (DAW) developed by Steinberg, designed for recording, arranging, and editing music. The latest version is Cubase 14. Among its features are: a virtual drum instrument, a vocal editor with real-time pitch correction, VST expression tools for easily editing instrument articulations, improved data handling and automation, and a convolution reverb plugin.

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PRESONUS STUDIO ONE (official website)

PreSonus Studio One
PreSonus Studio One

Studio One is a digital audio workstation (DAW) developed by PreSonus, a brand that also designs audio interfaces, preamps, and mixing consoles. Although PreSonus is primarily known as a hardware manufacturer, their Studio One DAW is a solid alternative to sequencers from other brands. Studio One has its origins in the free Kristal sequencer, which has since been discontinued.
Studio One offers excellent ergonomics and also includes Melodyne, a plugin that allows easy audio correction (pitch shifting or time-stretching). However, it does not include a score editor and comes with relatively few virtual instruments.
Studio One is available in several editions with varying feature sets, and there is even a free version with no time limit. The downside is that this free version is not compatible with plugins (VST or others), which significantly reduces its usefulness. Nevertheless, it is a good opportunity to try the software without the usual limitations of demo versions.

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Apple Logic Pro

(official website)
Apple Logic 9

Logic Pro is a 32/64 bit audio and midi D.A.W. for Mac OS X. it is part of Apple's profesional music software range. A light version, Logic Express with the same interface and the same audio engine but less options is also available at a lower price.

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Avid Pro Tools

(official website)
Avid ProTools

Pro Tools is widely used by professionals throughout the audio industries for recording and editing in music production, film scoring, film and television post production. Pro Tools has three types of systems; HD, LE, and M-powered. HD is the high-end package and is an integration of hardware and software. The hardware includes an external A/D converter and internal PCI or PCIe audio cards with onboard DSP. Fundamentally, Pro Tools, like all Digital Audio Workstation software, is similar to a multi-track tape recorder and mixer, with additional features that can only be performed in the digital domain. The high-end version supports sample rates of up to 192 kHz and bit depths of 16 and 24 bit, opens WAV, AIFF, mp3, SDII audio files and QuickTime video files. It features time code, tempo maps, automation and surround sound capabilities.

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Ableton Live

(official website)
Ableton Live

Ableton Live is a loop-based software music sequencer and DAW for Mac OS and Windows by Ableton. Live is a tool made for composing and arrangements, but its design and ergonomics are mostly live-oriented. The user interface was optimized for live performances. It is reduced to a minimum and is easily usable on a one-screen configuration. The absence of pop-up windows, its unique window divided into 5 categories makes it easy to use on laptop computers that may not be as powerful as their desktop counterparts. The different categories may be hidden or displayed with a simple click on the corresponding icon. The layout is then reorganized depending on the active categories. For live performances, you can display the loop points or the starting point of one or more clips, and they will remain in tempo with one another ("warp" feature you can trigger on the fly).

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Sony Acid

(official website)
Sony Acid Pro
Sony Acid Pro

Acid comes in 2 ranges: Pro and Music Studio. The pro range has more features. Acid Music Studio costs about 50 euros, and the pro version about 150 euros.

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MOTU Digital Performer

(official website)
MOTU Digital Performer
MOTU Digital Performer

Available for Mac first and now for Windows, Digital Performer includes many high-quality effects and an excellent score editor. Virtual instruments on the other hand are not numerous. 30-day limited demo versions are available on the official website if you want to give it a try.

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Image-Line FL Studio

(official website)
Image-Line FL Studio
Image-Line FL Studio

This software is the descendant of Fruity Loops, which was perfectly suited for Electro or Hip Hop music. Nowadays, FL Studio makes it possible to record any genre, but the way it works makes it still not really suited for acoustic musics. It is based on a concept of patterns added to a playlist.

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Propellerhead Reason

(official website)
Propellerhead Reason
Propellerhead Reason

It used to be dedicated to MIDI recordings, but Reason now handles audio. Still, for historical reasons, many Propellerhead Reason users still produce electronic music. Reason has a very powerful routing system, through the used of virtual cables, which could discourage some people.

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Magix Samplitude

(official website)
Magix Samplitude
Magix Samplitude

Unlike Reason, Samplitude was long limitied to audio management, and could not handle MIDI data. It's no longer the case. Samplitude is based on the concept of audio objects, where each audio clip has its own routing and automation capabilities. Samplitude includes many effects plugins and virtual instruments, as well as sound banks. More technical than other DAWs, the full version is also pretty expensive.

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Tracktion

(official website)
Tracktion
Tracktion

Tracktion is available for PC, Mac and Ubuntu. It costs 60 dollars for the base version, and up to 200 dollars in bundle with other in-house software (plugins and virtual instruments). That makes it one of the least expensive DAWs on the market. Users like the ergonomy of the software, but there seems to be a number of annoying bugs (rendering problems, unexpected crashes...), that will hopefully be fixed at some point.

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EnergyXT

(official website)
XT Software EnergyXT
XT Software EnergyXT

EnergyXT has been created by Jorgen Aase. EnergyXT is compatible with the VST standard, the ASIO protocol and the REX2 format from Propellerhead Software. This DAW is compatible with 16, 24 or 32 bit files, mono or stereo. The user interface is organized around a menu bar, a tool bar, tabs, a navigation window and a main window which, by default, shows the sequencer, but can also display the "Mixer" and "Modular" parts thanks to the customizable tabs. It's well suited for live performance and small configurations, with a low price of about 40 euros. It's rather simple to use but remains somewhat less powerful than more complete (and more expensive) DAWs.

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Zynewave Podium

(official website)
Podium
Podium

The company Zynewave has been created by Frits Nielsen, a software engineer, who developed the DAW Podium on his own. As it's a one-man company, Podium may not be as rich and complete as other major DAWs such as Sonar, Cubase or Logic, but it offers many of the features you might expect from a DAW. As a result, you may encounter compatibility issues with some hardware and plugins. Podium supports recording and editing of audio and MIDI, and hosts VST instrument and effect plugins. It is available for Windows as a 32 or 64-bit software and costs 50 dollars.

You will be glad to know that a free version is available. it's adequately called Podium Free, and it has pretty much the same capabilities as the paid-for version, minus a few limitations. The most severe limitation is that the plugin multiprocessing is disabled, which means you might experience processor overloading if you use too many plugins within a project. Yet, it's worth trying, because this free version is way more powerful than other free DAWs like Kristal (obsolete in so many ways) and Audacity (really inferior to all other DAWs).

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Two free DAWs

Let's be honest, these free DAWs are no match for the retail DAWs.

Kristal is no longer developed and updated, so it may even be incompatible with recent plugins. But it gave birth to Studio One, a retail DAW from PreSonus.

As for Audacity, it's more an audio editor than a real DAW, even though you can use it as such, with severe limitations.

You'd rather use a DAW such as Reaper, which costs only 45 euros and is way more complete and modern than those free software It's much more interesting to start using Reaper, which costs only 45 euros and is much more complet and modern than theses free software, or even the free version of Studio One, even though it's incompatible with plugins. I should also mention Podium Free, a very interesting free version of Podium (presented above) which also supports VST plugins with a few limitations.



Those DAWs are way more complex (just a question of habit...) but they are the real thing and will train newcomers about the logic behind DAWs. If you get hooked, then you may choose whatever DAW suits you best.

As a conclusion, free DAWs will help you out occasionally, but don't expect to make serious audio work with them in the long term.




Kristal Audio Engine

(official website)

Kreatives.org Kristal Audio Engine


Audacity

(official website)

Audacity

You can use VST plugins with Audacity, but you cannot listen to them in real time. In fact, when applying an effect to a track, you have to "render" it before you can hear what the effect does to your track. And if you don't like what you hear, you have to start over. Not convenient, not user-friendly...
Audacity should be used as a DAW if you really don't have anything else, but it isn't up to the task and that's not its primary use anyway.
At least, it's free.

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MESSAGES

(leave a message)

Messages page # 1 2 3 4 5 6 7 8 9 10 11 12 13 14 15 16 17 18 19 20 21 22 23 24 25 26 27 28 29 30 31 32 33 34 35



Em
le 30/07/2013 à 15h51

Hello from the Philippines,
I like your site about home studio recording, the articles are very helpful for me, though I still don't have a song project (Busy at work) I'm looking forward to using what I have learned from your tutorial.
Thanks

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<em>
Wow! Nice to know that readers from the other side of the planet read my website!

I hope you can start recording your own songs soon. Enjoy!

Grebz</em>



jjchampbulle
le 30/07/2013 à 15h12

Un grand merci pour la clarté de vos explications. Je suis débutant en MAO et vos commentaires sont bienvenus au moment où je dois remplacer mon matériel informatique.

* * * * * * * * * * * * * *

<em>Content de pouvoir vous aider, et bienvenue dans le monde de la MAO !

Grebz</em>



Gratteux41
le 19/05/2013 à 12h27

Bonjour, j'ai téléchargé AcmeBarGig Brain 2, mais c'est juste un fichier .dll ?!
Je ne comprends pas comment m'en servir... ;)

Merci

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<em>
Bonjour et bienvenue sur mon site.

En effet, tous les simulateurs proposés sont au format VST pour Windows. Ce ne sont donc pas des logiciels indépendants, il faut obligatoirement les utiliser au sein d'un séquenceur, ou de n'importe quel logiciel permettant d'utiliser des VST.

Certains existent également pour Mac, mais il faudra aller les chercher vous-même sur le site de l'éditeur (j'en donne toujours le lien lorsqu'il existe), car étant utilisateur PC, je ne peux pas vérifier et tester les versions Mac. Or, je me suis fixé de ne proposer au téléchargement que des choses que je peux moi-même utiliser, vérifier.

Sinon, pour utiliser ces fichiers dll, la méthode est donnée ici : <a href="http://www.grebz.fr/simulator.php#howto">Comment utiliser les plugins de simulation d'ampli dans un séquenceur</a>.

Grebz</em>



knophe
le 22/04/2013 à 01h09

Je trouve le site super ! Et c'est encore plus super quand il y a ce que l'on cherche et gratuit !!! Merci encore du partage!!



wil85
le 29/01/2013 à 17h22

Bonjour,

Merci pour les conseils sur votre site, pour un débutant comme moi c'est parfait.
Par contre, quels seraient les réglages à effectuer sur les toms (EQ, compression, etc)

Merci

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<em>Bonjour,

Merci de votre visite sur mon site.
Pour les toms, voici les réglages par défaut que j’utilise.
Je précise que je me sers aujourd'hui du logiciel de batterie Fxpansion BFD2 pour composer mes batteries.

Mes réglages par défaut sont adaptés à mes goûts et aux toms que j’utilise. Si j’avais choisi d’autres toms, mes réglages auraient été différents, bien entendu. Ils ne vous conviendront donc peut-être pas, mais cela vous fera une base de travail.

Tom floor : Tamburo Opera Floor Tom
Tom mid : Ludwig Vistalite
Tom high : DW

<strong>Réglages Tom floor :</strong>
EQ :
Brickwall à 60Hz (coupure nette de toute fréquence inférieure)
+6dB à 82Hz
+2dB à 282Hz
-4dB à 1,5KHz
+1,7dB à 6,12KHz
Hi-shelf de -6dB à 14,8KHz

Compression :
Threshold à -18dB
Ratio 12:1
Attack 15ms
Release 60ms
Gain 3dB

<strong>Réglages Tom mid:</strong>
EQ :
Brickwall à 60Hz (coupure nette de toute fréquence inférieure)
+3dB à 104Hz
-2,5dB à 530Hz
+2dB à 950Hz
-3,7dB à 2,12KHz

Compression :
Threshold à -18dB
Ratio 8:1
Attack 15ms
Release 60ms
Gain 3,6dB

<strong>Réglages Tom floor :</strong>
EQ :
Brickwall à 80Hz (coupure nette de toute fréquence inférieure)
-9dB à 139Hz
+2dB à 835Hz
-3dB à 2,66KHz
+3dB à 7,9KHz

Compression :
Threshold à -18dB
Ratio 8:1
Attack 15ms
Release 60ms
Gain 5dB

À moduler en fonction de vos goûts, et surtout à adapter en fonction de la chanson. Il n’existe pas de réglages qui conviennent pour tout. Les hausses et baisses de fréquences doivent être ajustées en fonction des autres instruments pour éviter de masquer ou au contraire d’amplifier certaines fréquences. Ça se fait à l’oreille, dans le contexte de la chanson, avec la musique qui joue.

Bon courage !

Grebz</em>

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